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順利邨商場: 社區空間起伏流動的粗獷主義
February 8, 2021

社區空間的起伏流動/

順利邨商場並沒有很明確的邊界,其商場範圍是以舊長型屋苑的建築輪廓作基本規劃,由於整個屋邨窄而長,商場空間像河流般穿梭於兩邊屋苑之中。街市和停車場坐落在屋邨的平台下,而平台上方的行人走道不僅連接了所有屋苑間的商鋪,而且塑造了多個高低起伏的休閒和靜態開放空間。 錯層的空間塑造了被包圍的安全感,並且讓地面的途人容易分辨方向。商場的形態展現了不少粗野主義的元素。建築群著重表達出十分厚實的橫向感,以較幼的結構柱作支撐,長而窄的窗口更伸延其橫向感。 空間的上下流動與粗獷主義堅實的對比營造了順利邨商場的獨特風格。

地區: 順利

建造年份: 1978

建築類型: 平台式樓層: 3

持有公司: 領展

Shun Lee Commercial Centre 🏢Brutalism, the contrast of flowing community space/The entire shopping centre flows according to the contours of slab block housing of the estate. The market and car park sit at the ground. The walkway at above not only links retail stores at all housing blocks, but it also shapes multiple voids for recreational and static open space. The open space at the split level suggests a secure spatial quality between two levels and become easily accessible from the ground to the retail level.The shopping centre presents itself as the architectural significance of brutalism. Slabs run with thin columns with large cantilevered masses and thick windows. The contrast between flowing spatial organisation and the rooted brutalism style comes into a unique identity in Shun Lee Shopping Centre.

District: Shun Lee

Year: 1978

Typology: Podium

Floor: 3

Ownership: Link Reit

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公共廣場變國際學校的操場,商場成富裕階級的囊中物
公共廣場變國際學校的操場,商場成富裕階級的囊中物/ 每次我做資料搜集時都是會先看看google 照片,經常都會彈出讓人不感安逸的新聞標題,今次亦不例外:「興民商場活化後僅餘5間鋪 商場傳變國際學校」 當然新聞也無誤地變成事實,屋邨商場變成了法國國際學校。簡單講講興民商場的設計,同樣跟上次介紹的彩德商場類近依靠在山邊,以一部電梯塔所連接到上層的商場部份,現只剩數間商鋪。商場主體本來有一個露天廣場,被商鋪包圍,是居民流連和購買日常用品的地方。現在成為國際學校的操場和課室。當我看到公公婆婆被趕到商場門外的長凳到休息,不禁感到十分心酸。 所以到底為何會有這樣的結果?領展在2016年將商場賣給「佛山順聯集團」,集團接手後初期已被投訴管理不善,導致環境惡劣,晚上亦也沒有保安駐場。商戶三個月後隨之收到通知全數不被逐約,更多疑似集團從中圖利事件可參考下面ref文章。結果商場改建為國際學校,而同時被此集團購入的田灣邨商場也落得一樣下場。商場不但被私人化而奪走其公共性,更成為了富裕階級的囊中物。 地區: 柴灣 建造年份: 1982 建築類型: 庭院式 樓層: 3 持有公司: 佛山順聯集團 參考報道: 1. 柴灣興民商場明年結業 業主要求還原店舖 商戶:特登掠水/ 獨立媒體 2. 柴灣孤島 - 興民商場「活化」後僅餘5間舖商場傳變國際學校/ HK01 Public square became the playground of the international school, estate shopping centre became the pocket of the wealthy class/ The news headline about estate shopping centre in google search always make people feel uncomfortable. This time is no exception: "After the revitalisation of Hing Man Shopping Centre, there are only 5 shops remaining. Rumour spreads about it converting to International School" Of course, the news has also become a fact without error. LINK Reit sold the centre to the "Sunlink Company Group" in 2016. After three months, the merchants received a notice that all of them will not be expelled. As a result, the shopping mall was converted into a French international school. The main body of the centre originally had an open-air plaza surrounded by shops, where residents lingered and bought daily necessities. Now it has become the playground and classroom of an international school. District: Chai Wan Year: 1982 Typology: Courtyard Floor: 3 Ownership: Sunlink Group Company Limited
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博康邨:帶你回到百年前的歐洲購物走廊
《我港 Kongcept》批鬥大會 2021 【7/8 社區:博康的花園商場 @kongcept852】 關於 #我港社區 #community_kongcept 💬// 我港希望讓你更關注你的社區。社區透過回憶和故事無形地連繫著我們,當中埋藏了很多未被發掘的寶藏。// 博康的花園商場,帶你回到百年前的歐洲購物走廊/ 「在這裡,我看到不同世代的共存,清楚地顯示了公屋及其商場的重要性。 在博康,幾代居民靠著無形的力量去交融。 孩子們放學後經過、 老人則通常被推到一旁,圍著坐去打發時間。」- Kris Provoost 博康邨明確定義了既寬敞通風的公共空間,橫跨中軸線的聚碳酸酯(polycarbonate)拱頂,一大一細地輕輕伏在兩邊商鋪頂,視線帶領你看到一排商鋪招井井有條地包圍整個商場,充滿著源起於歐洲的「走廊」( arcade) 設計味道,例如位於巴黎 La Galerie Vivenne (1823) 。而「走廊」源自於當時的歐洲經濟蓬勃,為了回應當時購物需求,而在街與街之間興建這種玻璃頂「走廊」,供商鋪展示商品,讓市民「有瓦遮頭」地購物。 博康以「走廊」設計為基礎,將其中一邊商鋪調高半層,在中庭設置樓梯接駁兩邊,這除了減少老人家行樓梯的級數,亦創造十分有趣的公共空間。錯層設計令居民視線變得更開揚,大量長凳分散在中庭,讓你除了跟隨著商場的走廊前行,亦能坐下好好感受空間滲透著陽光與居民間的互動。 想看更多的屋邨攝影作品,記得follow 建築攝影師 @kris.provoost ! 地區: 沙田 建造年份: 1982 屋邨商場類型:走廊型 樓層: 3 持有公司: 房署 PS: 請繼續守護你可以守護的,不要讓香港失去更多 ‘’ Seeing the coexistence of different generations, shows clearly the importance of public housing estates and its retail centres. At Pok Hong, the generations mingle by ‘force’. Kids pass through when school is out. ‘’ - Kris Provoost Pok Hong clearly defines a spacious and ventilated public space. The polycarbonate vaults across the central axis, one larger and one smaller, gently lie on the roofs of the shops on both sides, and the line of sight leads you to see rows of shop fronts. It embodies the scene of "arcade" design originating from Europe, such as La Galerie Vivenne (1823) in Paris. In order to respond to the shopping needs during the industrial revolution, this kind of glazed arcade was built between the street and the shops were used to display goods for the public. One side of floor levels is raised by half a storey, and stairs sit in the atrium to connect the two sides. This not only reduces the number of stairs for the elderly, but also creates an engaging public space.Please take your time to feel the space permeated by the sunlight and the interaction between the residents. For more Hong Kong estate shots, remember to follow architectural photographer @kris.provoost ! District: Sha Tin Year: 1982 Type: Arcade Floor: 3 Ownership: Housing Authority #香港屋邨 #屋邨商場 #hkshoppingcentre #香港自救 #hongkongshoppingmall #shoppingmall #pops #hongkongestate #estatelife #hkcommunity #廣福邨 #hkdevelopment #hkarchitecture
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順利邨商場: 社區空間起伏流動的粗獷主義
順利邨商場🏢 粗獷主義,社區空間的起伏流動/ 順利邨商場並沒有很明確的邊界,其商場範圍是以舊長型屋苑的建築輪廓作基本規劃,由於整個屋邨窄而長,商場空間像河流般穿梭於兩邊屋苑之中。街市和停車場坐落在屋邨的平台下,而平台上方的行人走道不僅連接了所有屋苑間的商鋪,而且塑造了多個高低起伏的休閒和靜態開放空間。 錯層的空間塑造了被包圍的安全感,並且讓地面的途人容易分辨方向。 商場的形態展現了不少粗野主義的元素。建築群著重表達出十分厚實的橫向感,以較幼的結構柱作支撐,長而窄的窗口更伸延其橫向感。 空間的上下流動與粗獷主義堅實的對比營造了順利邨商場的獨特風格。 地區: 順利 建造年份: 1978 建築類型: 平台式 樓層: 3 持有公司: 領展 Shun Lee Commercial Centre 🏢 Brutalism, the contrast of flowing community space/ The entire shopping centre flows according to the contours of slab block housing of the estate. The market and car park sit at the ground. The walkway at above not only links retail stores at all housing blocks, but it also shapes multiple voids for recreational and static open space. The open space at the split level suggests a secure spatial quality between two levels and become easily accessible from the ground to the retail level. The shopping centre presents itself as the architectural significance of brutalism. Slabs run with thin columns with large cantilevered masses and thick windows. The contrast between flowing spatial organisation and the rooted brutalism style comes into a unique identity in Shun Lee Shopping Centre. District: Shun Lee Year: 1978 Typology: Podium Floor: 3 Ownership: Link Reit #我港 #kongcept #kongcept_community #順利邨 #香港屋邨 #屋邨商場 #hkshoppingcentre #香港自救
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廣源邨商場: (一) 走進歐陸小鎮, 集九座建築而成的商場
你或許會疑惑這紅磚鎮在香港嗎? 這竟是商場?!🧱 我港的早前訪問了設計廣源邨的建築師江焯勳Joseph,了解不少關於廣源邨設計背後的理念。Joseph時任職房屋署助理署長,擁有「沙皇」的稱號,因為他在七十到八十年代設計了當時沙田區絕大部份的公共屋邨,包括龍亨邨、瀝源邨、和我港介紹過的新翠邨 (註1)。 行人優先的規劃/ 八十年代的新城鎮公屋規劃盛行社區自給自足的發展模式,身處於山腳的廣源邨也不例外。Joseph提到他認為公屋的空間不足以居民去生活,所以希望在邨內提供更多地方讓居民使用,制造「額外的居住空間」。廣源邨使用了人車分隔規劃。邨內則能提供一個安全而可步行的空間,並提供社區和商業設施。他巧妙地安排了一條快捷和一條正常路線供居民穿梭,一條設置在邨的外圍供居民直通巴士站與不同屋苑;另一條則藏在邨內不同商業建築之間。 商場 = 九座建築+三十六面牆/ 他將商場分成九座兩層高的商業建築散佈在邨的中心,靈感來自於這個地區周邊的鄉村,所以這些商業建築就像鄉村內的村屋般。為乎擋雨的實際需要,九座商業建築都由有蓋的通道串連著,但他希望居民不被上蓋限制著行走的動向,能自由地生活於大自然裡。而這些建築外則是創造了不同的公共空間,你可以看到一些老人在較隱閉的角落下棋和聊天;另一些老人聚集在中央廣場等待餐廳派中午飯(註2);還有一些人在看似古老的噴水池旁休息。人們真的在這裡生活著。這裡亦因為規劃上的限制令廣源商場逃過了翻新加租的命運,更加關於租金的分析,一定要看 @explainerhk 最新的post! 原來商場租金按商場級數去分類!(圖4) 能打造成歐陸小鎮般不只是規劃上的考量,還有更多設計上的心思!下回再續! 記得follow @kongcept852 ! 最後如果有興趣在4月24號參觀廣源商場的朋友可以向我們報名或DM @building_narrative ! 地區: 沙田 建造年份: 1989 建築類型: 庭院式 樓層: 2 持有公司: 領展 註(一)重溫: 新翠邨商場的一片綠洲 註(二)重溫: 廣源邨的日常 An interview was conducted with the architect Joseph Kong Churk-fan, who designed Kwong Yuen Estate and most of the estates in Sha Tin district. Joseph explained the design concept, particularly of the Kwong Yuen project. 9 blocks; 36 facades/ His design approach was to position nine small blocks at the centre of the estate, responding to the surrounding villages in the hill. All blocks are linked by canopies, which shaped various type of open spaces with different spatial quality. Men are doing gambling in covered open space; the elderly are sitting at the central open space surrounding by elderly care facilities; Aged fountains can be found in some of the open space. If you wish to visit the Kwong Yuen shopping centre with us on 24/4, please contact us or DM @buildingnarrative! District: Sha Tin Year: 1989 Typology: Courtyard Floor: 2 Ownership: LINK Reit
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廣源邨商場: (二) 視覺的分散與吸引力, 你能從城門河注視廣源鐘樓?
視覺的分散與吸引/ 上回介紹了廣源邨之所以會分成九棟建築是因為建築師江焯勳希望為這社區提供更加額外的居住空間。而他的設計意念是由建築的規劃帶到建築的細節上。當你置身於兩層樓高的商場建築的範圍,除了因建築比例與人們接近而提高親密感,你的視線也會被它們吸引著,加上他選用的紅磚外牆與石屎造的住宅塔樓造成強烈對比,令你能夠忽略包圍著你的住宅塔樓。而最著名的鐘樓不只塑造了西方小鎮的氣氛,其實他希望人們在山下的城門河也能夠遠看到鐘樓,就知道這裡是廣源邨,建立廣源邨的獨特形象。 優秀的建築是用時間去證明/ 其實這種街區小鎮的商場規劃在內地十分流行,例如北京的太古里和深圳的深業上城也有類似手法,但建築師江焯勳早在三十年前已經實行了。最令我體會最大的是跟出至他設計的新翠邨商場一樣,卻是三十年不變。這裡沒有一絲領展的改動,甚至沒有領展參與管理的痕跡,走進商場裡的茶記,你還可以吃到不需三十元的燒味飯,這裡的時空減慢了。證明了優秀的建築設計既能夠經得起時間的洗禮,更能抵抗不預計的社會經濟變化。 地區: 沙田 建造年份: 1989 建築類型: 庭院式 樓層: 2 持有公司: 領展 Visual Distraction and Attraction All commercial blocks are built by red bricks and pitch roofs. The materiality was intentionally contrasted to the concrete housing blocks in the surrounding. Blocks were carefully positioned to distract residents’ visibility to high rising housing blocks. They are attracted by 2-storey high buildings along the journey, that zooming back into a more human-friendly and touchable scale. The clock tower intended to be the mutual attachment of place for residents. The orientation of the tower allows itself to be revealed down from the Shing Mun River. District: Sha Tin Year: 1989 Typology: Courtyard Floor: 2 Ownership: LINK Reit
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